#DOWNLOAD SAI BHAJAN BY ANURADHA PAUDWAL MOVIE#

In 1974, she brought out a record of non-film Marathi songs or Р В Р вЂ Р В РІР‚С™Р РЋРЎв„ўBhav GeetenР В Р вЂ Р В РІР‚С™Р РЋРЎС™ which became very popular. With his guidance, Anuradha made her Marathi film debut with Yashoda (music by Datta Davjekar) in 1973.

#DOWNLOAD SAI BHAJAN BY ANURADHA PAUDWAL MOVIE#

But Anuradha, with her conservative background, was not ready to make the leap yet.Р В РІР‚СњР В РІР‚С›run Paudwal along with Anil Mohile (as Anil-Arun) used to compose as well as work as assistants to many composers in the Marathi movie industry. When they learnt that it was ArunР В Р вЂ Р В РІР‚С™Р Р†РІР‚С›РЎС›s wife, they offered to launch her. Several top composers including Hridaynath Mangeshkar and Laxmikant-Pyarelal called the radio station to seek the singer.

Thus the then 19-year-old Anuradha began her journey in the Bollywood music industry in 1973.Р В РІР‚СњР вЂ™Р’Вuring a visit along with Arun to a Lata Mangeshkar recording composed by Hridaynath Mangeshkar, she was able to grasp the complete song and sang it live on a popular radio programme, Yuva Vani. As fate would have it, SD Burman happened to hear one such recording and asked him to bring Anuradha to the studio where he recorded the Shiv Shloka that was picturised on Jaya Bachchan in Abhimaan.

Arun used to make her sing every song that he recorded in order to understand how it would sound in a female voice. She took this miracle in her stride and tried to mould her voice as she continued her autodidact from her spiritual guru-Lata Mangeshkar.Р В РІР‚СњР В РІР‚С›t the age of 17, she was married to a family friend, Arun Paudwal, who worked with music director SD Burman as his assistant. However, she had a hoarse voice and classmates often called her a Р В Р вЂ Р В РІР‚С™Р РЋРЎв„ўpeacockР В Р вЂ Р В РІР‚С™Р РЋРЎС™ in those days.Р В РІР‚СњР вЂ™Р’Вuring a bout of pneumonia for which she was bed-ridden for more than 40 days, Anuradha listened to Lata MangeshkarР В Р вЂ Р В РІР‚С™Р Р†РІР‚С›РЎС›s recording of Bhagwad Gita incessantly and when she recovered from the illness, her voice had changed. She attended a live recording of an unreleased SD Burman composition sung by Lata, Р В Р вЂ Р В РІР‚С™Р РЋРЎв„ўPuchho Zara Kiske Liye Aayee HoonР В Р вЂ Р В РІР‚С™Р РЋРЎв„ў, with a friend which inspired her to sing. She was in her fourth grade when a Lata song that she heard on radio triggered off her interest in music.

An ardent Lata Mangeshkar fan, Anuradha claimed that she was not a trained classical singer, but learned to sing by listening to LataР В Р вЂ Р В РІР‚С™Р Р†РІР‚С›РЎС›s songs and practicing along with them. By the time she reached this pinnacle, she had already been struggling for 17 years.Р В РІР‚СњР вЂ™Р’В«orn to a conservative Hindu family in Karvar, Karnataka, Alka Nadkarni (AnuradhaР В Р вЂ Р В РІР‚С™Р Р†РІР‚С›РЎС›s maiden name) was passionate about music, but her father felt that girls from respectable families should not associate with show business. This was the time she had ended her first innings in mainstream movie music abruptly when she was on the verge of claiming the throne of the likes of Lata Mangeshkar and Asha Bhosle.Р В РІР‚СњР вЂ™Р’Вuring her prime, legendary veteran composer OP Nayyar had said, Р В Р вЂ Р В РІР‚С™Р РЋРЎв„ўLata is finished. While these songs spelt the end of her second innings in mainstream movie music, she had found her niche audience among the bhajan listeners since the early 90s. Considering her 45-year-long career and the number of melodious tracks she has sung, this article is the first of a two-part episode that will discuss the legendР В Р вЂ Р В РІР‚С™Р Р†РІР‚С›РЎС›s initial struggles and strife during her trip to success.Р В РІР‚СњР В РІР‚С› voice that many religious Hindus still wake up to through a Gayatri Mantra, Shiv Mahima, Ganesh Shloka, Devi Bhajan, Vishnu Sahasranam or Sai Vandana, Padmashri recipient Anuradha Paudwal and her voice have transcended generations even if she has been away from mainstream Bollywood music for more than a decade.Р В РІР‚СњР В РІР‚С›part from the rehashed or remixed hits like Р В Р вЂ Р В РІР‚С™Р РЋРЎв„ўTamma TammaР В Р вЂ Р В РІР‚С™Р РЋРЎС™ in Badrinath ki Dulhaniya, the last time followers of Bollywood music heard her was in 2006 in the fairly-forgettable songs Р В Р вЂ Р В РІР‚С™Р РЋРЎв„ўPalken Uthake DekhiyeР В Р вЂ Р В РІР‚С™Р РЋРЎС™ and Р В Р вЂ Р В РІР‚С™Р РЋРЎв„ўDheere Dheere Dil KoР В Р вЂ Р В РІР‚С™Р РЋРЎС™ in the thriller Jaane Hoga Kya and Р В Р вЂ Р В РІР‚С™Р РЋРЎв„ўThi Meri DastaanР В Р вЂ Р В РІР‚С™Р РЋРЎС™ in Kalyug. In continuing with its series, Odisha Bytes pays an ode to another singing legend of Bollywood, Anuradha Paudwal, who exited mainstream film music in the 90s when she was at the pinnacle of success.

Download sai bhajan by anuradha paudwal